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The Devil stalks Dylan on the fire escape.

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Dylan's stunt double fixes his harness to prepare for shooting.

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A wide shot of the building. Dylan's stunt double hangs from his harness. The three guys in front are holding wires to a pulley to control the double's fall.

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The stunt doubles rehearse their scene

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Dylan's stunt double prepares for the next shot.

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Dylan's stunt double in a controlled fall from the balcony.

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Darren asks Jake, "Who the heck are you, and where are you going?"

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Mark, the Director of Photography, and David prepare the camera for the next shot.

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Josh, the Key Set PA, gives vital instructions over the walkie talkie as Robert, the Script Supervisor, gives valuable advice.

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The building where the big fight takes place. Notice the mats and cardboard boxes placed below in case of an accidental fall.

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The Stunt Coordinator works out the scene with the actors.

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The Stunt Coordinator and the Director talk about the scene.

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Paul, the Director, and Jgira, the Assistant Director prepare for the next shot.

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Dan in silhouette in front of the action.

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Luke as the Devil, waits for his next shot.

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The Devil struggles to add one more to the body count.

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Bryan looks down on the crowd below.

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Zinger chillin' at the truck.

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Adam between takes.

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A.J. Taking the prop gun from set.

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The Special Effects Guy aims his modified air rifle above the actors heads to simulate a bullet ricochet.

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The actors battle on the balcony.

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Dylan's aims his gun at the Devil.

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Dylan aims at the camera for the next shot.

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Mark, the DP, at the beginning of the dolly shot.

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Jake, the Key Grip, puts the quick stop on the dolly and reverses direction.

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Jake and Mark at the starting line of the next dolly shot.

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The Devil uses Bryan to guard against gun shots.

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The Devil and Dylan duke it out on the balcony.

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Dan aims the light for the next shot.

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Dan adds a scrim to the light.

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Dan dials the light in further.

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Mark, the DP, checks progress on the ground.

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Slear begins to change into the Hulk.

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Slear, Robert, and Josh pose for "Grips Gone Wild!" the video.

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Monroe, the Sound Man, warms his hands over the 2000 watt light.

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Monroe back at his sound cart. Can you believe he had to dress this warm in LA?

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Melissa showing that this movie was brought to you by the number "6" as Matthew installs the other numbers to the building.

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Jay's skateboard hangs 40 feet in the air from the Condor.

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Another view of the skate board hanging below the lights in the air.

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Adam wrapping up electrical equipment.

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Zinger places a sand bag.

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Loren locks up the set from traffic.

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Zinger relays instructions from the DP for Adam who is aiming a light.

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Adam and Adam dine in the Grip Lounge during a 1:00am lunch break.

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Dan dines in the Grip Lounge during a 1:00am lunch break.

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A wide view of the Grip Lounge during lunch.

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Melissa "assumes the position" by the picture police car.

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Zinger works to balance the Jib Arm which raises and lowers the camera.

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Zinger tests the jib arm.

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Zinger tests the jib arm as he and others view the shot on the video monitor.

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Slear attempts to ride the police car like a mechanical bull . . . I think.

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Melissa asks a speeder, "Hey, buddy, where's the fire?"

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David prepares to make his cameo as a police officer.

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A.J. and take loving care of the props and set dressing.

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Donna checks progress on the set.

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Bryan Kirkwood rehearses being loaded into the picture ambulance.

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Bryan has his wound touched up by Josh, the make-up guy.

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David and Josh get in costume as police officers. A.J. distributed prop weapons.

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David and Josh practice shining flashlights in peoples face and asking questions.

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Josh prepares to hold back the gawking extras.

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Steven, the Producer, has a cameo as a police officer.

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David helps Jake relive some of his favorite Spring Break memories.

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David helps Jake relive some of his favorite Spring Break memories.

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This police officer has no sympathy for the Devil.


A gag cover for the the video "Grips Gone Wild!" This video is NOT available in stores - or anywhere else for that matter.


Josh the Key Set PA drives a car load of drag queens from the set back to wardrobe following their scene.

   

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